The cinematic opening tableau and the technically astute musical finalé wonderfully bookend Miles., a biopic about the architect of the bestselling jazz album of all time, 1959’s Kind of Blue. Howe...
There is something quietly gripping about a British crime film that knows exactly what it is doing. Made in 1962 on a tight budget, Vernon Sewell’s Strongroom finds its power in restraint, letting t...
Akram Khan’s reimagining of Giselle for English National Ballet breathes new life into an already well-loved story and stands as a testament to his choreographic craft. Since its premiere in 2016,...
“You’ll leave having had a good time or crying tonight,” Prashanti Singh introduces her show, in this Ted-talk-meets-therapy-session night of comedy, where she lays bare her personal struggles o...
Almas Art Foundation presents Sudan Retold, an exhibition that navigates the lived and living experiences of Sudan, all the way to the present, exploring the relationship between culture and personal ...
English National Ballet’s autumn season opened at Sadler’s Wells with four impeccably executed classics from the last hundred years, each technically razor sharp and visually dazzling. Yet for all...
In a fairly successful bid to rescue KC and the Sunshine Band from their purgatorial fate as wedding disco floor fillers, tired advertising jingles and golden oldie radio fodder, ‘Get Down Tonight...
Julio Torres, former Saturday Night Live writer and star of the HBO series Fantasmas, brings his awkward, imaginative wit to the stage at Soho Theatre. Seated at a desk with his sketchbook and crayons...